Saturday, March 01, 2008
Cecil Collins, new pastel and visitor to the bird feeder.
On Tuesday I was delighted to see a documentary film about Cecil Collins, it was shown as part of the Temenos programme. I have appreciated Cecil Collins work for a long time, his visionary sensibility, use of symbol and colour. I did not know that much about him however. This year is his centenary, so there are a number of events lined up, which is great.
I was interested in some of the ways he worked, sometimes planning his paintings in his head apparently, turning over the picture in his mind over some time. The danger in this way of working, that of having done too much and then no longer being interested in actually producing the painting. Collins wanted that moment of surprise when he looked at his finished work.
Another way he worked was to take some colour and allow himself to work with that colour intuitively, the forms arising as if taking birth.
For Collins his work is concerned with the transformation of consciousness. Life he saw is surrounded by mystery, "we are asked to collaborate with mystery" I bought a lovely book of his work, Cecil Collins, Meditations, Poems, Pages from a Sketchbook, by Brian Keeble and Elizabeth Collins.I've also been working on some new pastels, one here of the Buddha, they are a bit more difficult to scan in even sprayed with fixative the surface is delicate. I need a few more skills in taking good photos of my art work.
Looking out of the kitchen window last week, I saw something on the bird feeder, a funny looking bird I thought, on closer inspection it proved to be a mouse who stayed long enough for me to get a camera